Showing posts with label East Los Angeles. Show all posts
Showing posts with label East Los Angeles. Show all posts

Saturday, May 29, 2010

The Endless Loop - Pam reviews "The Girl with the Dragon Tattoo" and dwells on dinner and the nature of Human Existence

I was fourteen years old when Jimmy kissed me on the forehead and ran off with his friends.  To this day it plays in my mind on an endless loop. 

Even this evening as I drove down Beverly Boulevard chasing the sunlight past the place the motorcycle cop lays in wait, past the all-night taco stand; and always ahead the neon glow of the Western Exterminator sign looming over all from the top of the hill, with its pink blinking rodents scurrying around the perimeter.  When suddenly beautiful Beverly Boulevard, depending on your perspective, dumps you onto or delivers you unto, Temple Avenue.  And now at the  bottom of the hill in the darkness, the road becomes bumpy and a feeling of gloom comes o’vr you  that your soul cannot resist. 

There is my bank, there is a restaurant I had a glowing dinner with friends, there is the vet where Tuxedo died and where my face streamed with tears and now only feels like a dull ache like the feeling when Jimmy kissed me on the forehead and I knew it meant nothing to him and that at the same time, nothing would ever be the same for me again.  And I was right because what I glimpsed in that moment foreshadowed all that was to come for the next twenty years.  Of course I didn’t dwell on it, that inner certainty, that taste of inevitable despair, instead I glowed, I beamed, I flew to the sky on gossamer wings and basked.  There was a lot of basking. 

There are a few things I have on the list of things one oughtn’t to do too much of in life, one of them is basking, the other is dwelling.  The difference between basking and dwelling is subtle but critical.  One basks in the glow of wonderful memories, one dwells…well one usually only dwells on the most painful moments.  Of course there is a correspondence with how much one basks to how much one dwells; Highly debatable if it is worth the trade-off.

Then there are those occasions where one can actually bask in the act of dwelling, a truly perfect moment,  like the moment right before you find your balance on a bicycle, a moment where you could fall, where you are in fact falling, but you don’t.  That moment is there, almost imperceptible but there, and very…very…hard to hold onto.  But if time were to stop at that moment, the moment would be a state of bliss.  Something to appreciate, to hold on to for all time, something that  will come to you again right before you die, like a kiss upon the forehead.

Tonight at dinner Guru’s attention was so attached to the screen of his iphone that he didn’t even look up when I took out my iphone and took a picture of him, which I texted to him, which he opened and looked at and then posted to his Facebook page, and I then looked at his Facebook Page on my iphone and saw the picture of him taken by me, looking at himself while I looked at him.

After dinner, we went to the theater to see a film about an unsolved murder, set in Sweden.  The movie told a story that spanned a long history of the Finnish Winter wars and the invasion by Russians and then Nazis and the toll those events took on the lives of the innocent.  It opened a window into the world of the Swede, a place where the dark places of the human mind find easy purchase, a place where cold and geography create isolation and a despair that is refined, distilled until it becomes something more like a texture than a mood.  A place where alcoholism and suicide find a comfortable existence, a place where these have a certain logic, something understood, something that is inseparable from other parts of the human existence, something that just is.

And as I watched that movie about those people, who as it happens, are the gene pool from which I descend, I felt my connection to that cold and isolated and refined inevitable world; a comfortable place I know and take for granted.  Something I assumed was part of the fabric of human nature, so unquestioned that it was not until I arrived in California that it dawned on me that this was something that wasn’t common to all people, but maybe only to those who came from the cold and the darkness and the isolation of the Finns and the Swedes. 

I was quite uncomfortable in the company of the people of the warm and the sun and satisfaction of good connections with their communities.  From my icy perspective, they rang false, or at best, like innocent children who did not really know.  They did not know that life was, in fact, miserable.  They did not know that people were not to be trusted.  They didn’t not feel, as if they did, how could they be happy?

And so I watched this movie, a movie where the heroine is a tall, thin, angry, boyish dark haired girl who rages against the world.  And she made sense to me because she was, for all practical purposes, me, in my youth.  It unfortunately made me want to get my nose pierced, which hopefully will wear off if I spend sufficient time out in the sunshine.

As it turns out, there isn’t much to be angry about in Los Angeles, there isn’t something definable to rage against, eventually my guard has dropped and I find more and more inclined to bask and not to dwell.

Sunday, September 09, 2007

COUNCIL DISTRICT 1 - THE FORGOTTEN EDGE?

Exploring North East LA Stats

I've been living in CD 1 for almost eight months now, walking and driving around, exploring the neighborhood; but I can't say I've learned that much. Tonight I checked out Councilman Reyes website and I was surprised how little I knew. Council District One has a population of 222,165 people. Seventy percent of our district, or 154,927 people, are above the age of 18. The remaining thirty percent or 67,238 people, are under the age of 18. 

The communities that make up District 1 include: Glassell Park, Cypress Park, Highland Park, Mt. Washington, Solano Canyon, Elysian Park, Echo Park, Westlake, Angelino Heights, Temple Beaudry, Lafayette Park, Chinatown, Forgotten Edge, Lincoln Heights, Montecito Heights, Pico Union, Adams-Normandie, Mid Cities and Mac Arthur Park.

Forgotten Edge? I can't find anyone who can tell me where it is. Have they all forgotten?
Geographically, CD1 is the 3rd smallest district in the City and is the only district in all of Los Angeles that does not border a separate municipality. 

CD1 is one of the most ethnically rich districts. According to the most recent census data, District 1 is 75.5% Latino; 15.1% Asian; 5.4% White- Non/Hispanic; 2.6% Black/African American; 1.0% Multi-racial; 0.3% American Indian and 0.1% Other.

Maybe the 0.1% Other lives in Forgotten Edge?

Friday, July 27, 2007

SCULPTURE AND STARBUCKS

Reporting from Little Tokyo, Los Angeles


I've passed by this Bronze on my endless rapturous trips into and out of the Little Tokyo Starbucks. I figured (incorrectly) that this "man on bench" was part of a city-wide series by the same artist as the "man with head in wall" over by the plaza at 8th & Figueroa.

I can honestly say I was startled by "him" only when the bench was occupied by carbon-based friends--creating the necessary juxtaposition for a true cognitive dissonance. Too bad for me that nobody sat down on the bench today for my pic.

So today, I paused. I wasn't as overly enthusiastic to get my Starbucks as I was (back in the old days) when I was rushing to work. I paused and wondered why the man was holding a pamphlet and noticed (for the 1st time) that he was Asian. At the top of the plaque was, of all things, a quote from the Talmud: "He who saves one life, saves the entire world". Followed by the unbelievable but true story of Chinune "Sempo" Sugihara. "A Japanese consul in Lithuania who issued handwritten visas to 1000's of Jewish refugees, against the express order of his government, and saved innocent lives during the Holocaust."

Why was Sempo or any Japanese man working in, of all places, Lithuania during WWII? I don't know, but there he was and he did what one man could do for Justice. And now he sits, in front of Starbucks, something we can be sure, he could never have imagined.

Credits: The sculptor: Ramon G. Velazco; I haven't found anything about the artist online. Anybody know more?

TANGENT ONE:

Unrelated but something else wonderful I came across on my search for LA sculptures, which led me to LA Neon Signs, etc.

In 1949, Raymond Chandler wrote in The Little Sister (via Michael Web)

 "I smelled Los Angeles before I got to it. It smelled stale and old like a living room that had been closed too long. But the colored lights fooled you. The lights were wonderful. There ought to be a monument to the man who invented neon lights."
Is Chandler God-like or what?

TANGENT TWO:

I wonder if the sculpture is part of one of the downtown LA tours (probably not the Raymond Chandler tour, but one never knows). The company: Esotouric "bus adventures into the secret heart of Los Angeles." This writer recently breakfasted with fellow blogger Richard Schave, husband of tour guide/founder-owner Kim Cooper.  

Disclaimer: We have no business relationship, financial or otherwise; but let me take a risk and call them my (wait for it...) partners in crime? I've been carrying around their brochure for months. Time for me to hop on that bus!

Saturday, April 28, 2007

STAR LIGHT, STAR BRIGHT

From my Lincoln Heights bedroom, what is "the first star I see tonight"? Hint: it's the color of burning sodium. Yes, the standard ghastly American street light. Such an unfortunate staple in city life, that I confess I never noticed it. Until...it blinked off. A peace came over me that could only mean that it been a constant (albeit unnoticed) source of stress.

Each night now, it blinks on for three or four minutes, and then off for three or four, and then on again. Stress. Peace. Stress. Peace.

My own personal midnight sun.

Last night the now familiar pattern changed from orange/off/orange to orange/white/off/orange. Making my streetlight more and more star-like. An old, old planet burning toward eventual destruction.

It's said that it is always darkest before the dawn, but for me, it is always brightest before the dark.

Friday, February 23, 2007

BREAKING FREE OF LOFT FURNITURE STEREOTYPES



If this isn't love...
then winter is summer
If this isn't love...
my heart needs a plumber
-- Finian's Rainbow

I've had an email subscription to Daily Candy for years now, and I have to admit I mostly just trash them. When I do peak it's a size zero fashion store or some ten-million dollar face cream. Why don't I just unsubscribe? Maybe it's because I held out hope that I'd have an email like the one I received today. I know the email probably went out to a hundred thousand Angelinos, yet I feel like I have made the most amazing discovery.

For years I've been lusting over Mies van der Rohe, Eileen Gray, Le Corbusier, Charles Eames, George Nelson, and Marcel Breuer and have often wondered who would join their company; and the answer is: Tanya Aguíñiga. From her shadow chair, to her modular lounge, to her low rider stools to her embrace chaise... she's made the modern furniture home run.


My loft-ment offers some daunting furnishing challenges. The white walls are painted with geometric shapes in primary colors (red and blue) and non-colors (black). The shapes form interesting optical illusions, forming a single object when viewed from the proper vantage point. Fabulous as they are, what is a girl to do to furnish, without clashing, a place that is essentially pre-designed?


Lucky for me, I love the pre-existing design (it's in the structure, the interior architecture, the colors). It's tempting to reside in an empty space (with maybe a single tall white floor light) and a simple white bed sans frame. In point of fact that is all it requires, but not all I require.

This is why "discovering" Aguíñiga made my heart skip a beat. In particular, the QB table seems MADE for my abode. I wonder if there was a secret collaboration (Giovannini (the lofty designer of the place I call home) and Aguíñiga)???? In any case, I feel an affinity a la great-minds-think alike.

Sunday, February 11, 2007

I LOVE LA

How LA defies description, every street I turn down reveals another world. I still lose my breath occasionally, sometimes at the beauty, sometimes at the devastation and chaos, and sometimes at the unintentional wit. There is always something.

One thing I've had to come to grips with: I do not define the city, the city defines me.

The fact that I drive back and forth between Hollywood and my neck of the woods (Lincoln Heights), is a reflection on the town. Some sort of oceanic gravitational field pulls me in, and then spits me out.

Some nights I see ghosts as I drive into the darkness. Some nights, leaving the neon behind, I see the night closing in on me under the crushing reality of economic class.

But this night, (once again heading for Lincoln Heights from Hollywood via Hancock Park), I am struck by the universal sense of humor of our town.

My last glimpse of Hollywood is the decrepit piano store "Stein on Vine" (still hanging on in the run-down area where Vine literally fades away as it transforms into Rossmore).

At Larchmont the grimy Hollywood ends, the streets seem to take a breath and expand.
A row of apartments guard the perimeter of the prestigious Hancock Park area. There the 1930's art deco apartment the Mauretania, winks at me. The Mauretania...JFK's former pied 'a 'terre and alleged love nest where Marilyn and he might tryst.

Just a few blocks west sits a large Hasidic community, with Shuls on every corner. There are Persian Shuls, Russian Shuls and the “classic” eastern European variety. But could LA ever be content to allow this phenomena to occur without adding a touch of irony? On the corner stands a Honeybaked Ham store (do you think they offer a Kosher one?)

Leaving the Hasidic world and heading down La Brea, I check in on my favorite combination breakfast joint and flower store “Rita Flora”, which features the appropriately named “well stacked pancakes”.

But I digress...back to Hancock park. The wide avenues are bordered by trees that form an arch of green. The trees are punctuated by the occasional majestic African palm. As I travel further, leaving the homes of the affluent behind... the trees thin, their tops no longer touching, and finally grow increasingly sickly. The needles on the pines grow brown and the trees themselves come further and further apart until you are suddenly dumped into Koreatown. There the grim skyline of downtown L.A. appears in the distance.

These streets can no longer be aided by a tree or two, they give a fresh meaning to what used to be called the mean streets. Mean, but somehow intoxicating. Here mingle Mexican Panaderias (bakeries), Salvadorian Pupuserias (places that sell “pupusas”), Korean Barbecue, tiny mercados (markets) and Vietnamese Boba shops.

Here I sail through the outskirts of Echo Park, over the river to Lincoln Heights. My roller coaster ride through town comes to a jolting stop. The adrenaline fades, I am home.

Want another taste of Art Deco LA? Try one of the Art Deco Society's events:
February 23rd, 6:00 to 8:00 pm
Cocktails in Historic Places

Broadway Bar
830 S Broadway, Los Angeles 90014

Based on Jack Dempsey's New York bar of the same name, Broadway Bar brings 40s-style glamor downtown's burgeoning nightlife scene with antique touches and a lounge fit for a kingpin. Located right next to the Orpheum Theater, the 50-foot circle bar, the chandeliers, the upstairs lounge bar make this a particularly appealing and successful example of "creative reuse."

Sunday, July 09, 2006

FROM WE-HO TO EAST-LO

When Matthew Arnold wrote about "Wandering Between Worlds..." he was writing about the struggle between traditional religion and the theory of rights, the two worlds "one dead, the other struggling to be born".

This week, I find myself wandering between two worlds of my own... When I left Hollywood for my new "near Chinatown", I didn't realize how far a world I was about to travel. That was until my boyfriend arrived and said "Pam! You live in East LA!". I raised one eye-brow as I turned the deadbolt on the front door behind us.

The first time I heard West Hollywood called "We-Ho" I rolled on the floor laughing. I also assumed it was a joke; but I was wrong. WeHo.org is the City of West Hollywood's official website. So it wasn't as big of a surprise to hear my new neighborhood (East Los Angeles) called "East-Lo".

In WeHo you sip cappuccino at a bistro, in EastLo you order carnitas at the taqueria. In WeHo the restaurants start with the italian pronoun "IL", in EastLo, the spanish "EL". In WeHo, dress-up means go in drag, in EastLo, a zoot suit and a classic car. WeHo, gay, EastLo, gang, WeHo, fabulous, EastLo, fabulosa.

Of course that's all just the stereotypical gloss on the surface, but under every gloss a little truth must shine. Sometimes an image can be so, so wrong though. Ever since I saw Allison Anders' film "Mi Vida Loca" in 1993 (which was technically set in Echo Park, not "EastLo", but...) I have romanticized the stylized gangland Latino world. I was in for a shock when I met girls from the area who told me that to be tattooed with the three dots symbolizing having lived a "vida loca" or "crazy life" meant you gangbanged and lived to tell the tale. The three dots were like tear drops tinged with regret and pain. It wasn't at all like the crazy life I talk of, laughing and rolling my eyes. I felt very bad for joking about it. I also loved (LOVED) the soundtrack, especially "Suavacito" by the 4 Corners.

Anyway, I am here, all moved in, part of that insane part of urban living known as "". I guess I'm the "gentry" (which has at least two layers of irony, being both female, and a poor inner-city girl myself).